Wes Craven, the creator of Freddy Krueger, died on August 30, 2015. (Photo courtesy MoviePilot.com.)
With today being the official start of Halloween season, it seems only fitting to pay homage to one of the great Hollywood horror icons: Wes Craven.
Craven, who died a few weeks ago, is the genius behind A Nightmare on Elm Street. Thanks to that popular series, he is arguably the father of the modern horror-film genre. There may not be a more well-known horror villain than Freddy Krueger and his frightening knife fingers. While Edward Scissorhands made us smile, Freddy made us scream.
Craven, who was also the genius behind the successful Scream series, had been fighting brain cancer when he passed away. He was 76.
His career began with a movie in 1972 called The Last House on the Left, a violent film about a gang of killers who take two young women into the woods to torture them. The movie was a success at the box office.
However, the film he is most known for is 1984’s A Nightmare on Elm Street. Craven said he struggled for three years to sell the project. It nearly bankrupted him, so when it become a box office smash, he went from the bottom to the top almost overnight.
Craven’s frightening imagination was so intense that he says it even scared himself. When he was writing was when he truly got spooked out.
Craven really re-invented the horror genre with Scream. It became such a popular and iconic film in and of itself that it spawned several sequels and even led to the completely non-frightening and utterly hilarious Scary Movie horror parodies.
Craven was an English major in college and is even a novelist. It makes sense that he became such a wonderful Hollywood writer. His imagination was one in a million.
So this Halloween season, why don’t you pop in a classic Wes Craven horror flick and pay homage to the man who made us all jump out of our seats in fright.
Better yet, why not go retro at this year’s Halloween party and wear a Freddy Krueger costume or Scream mask?
There’s some new drama in Hollywood, and it’s not on film.
According to reports, filmmaker Lee Daniels has lumped actor and two-time Oscar winner Sean Penn in with men who have a record of violence against women, and Penn is not happy. He’s suing Daniels to the tune of $10 million for comments he made that suggest Penn is a wife beater.
This all started several days ago when Daniels was doing an interview for The Hollywood Reporter. The interview turned to actor Terrence Howard, who is known to have exhibiting violence against the opposite sex. Howard, who according to records has been arrested several times for violence against women, is a star in Daniels’ hit TV series “Empire.”
According to the suit filed by Penn, Daniels in his interview seemed to question why Howard was getting so much negative publicity over his behavior when he is no different than Penn or Marlon Brando. The lawsuit goes after Howard for not only acknowledging that Howard is guilty of violent attacks, but for seemingly condoning Howard’s violent behavior as well.
In his filing of the lawsuit, Penn states that despite having numerous encounters with the law, he has not been convicted of domestic violence, let alone arrested for it.
Robert Pattinson’s fame exploded after he appeared in Harry Potter and the Goblet of Fire as the popular Cedric Diggory, and since then, he’s appeared in countless interviews and TV shows. If you’ve seen any of these interviews, however, you’ll notice how many of them ask about the same things – his interests, his die-hard fans, his musical talent, being among them. The folks on Entertainment Weekly noticed this, and have since made a bingo game you can play while watching Robert Pattinson’s interviews.
The game is actually pretty simple: watch an interview, and take note of the questions being asked. Pick the ones you think are likely to be asked again, and add your own list of questions you think Robert Pattinson is likely to be asked. You can also add mannerisms you think you’re likely to see from Rob throughout the interview. Use an online bingo card creator like the one on Print-Bingo.com to arrange the questions or topics into a set of bingo cards, and distribute them to your other friends who are fans of Robert Pattinson. Of course, you can expect that your game will have different items than what’s on EW’s bingo card, as it’s been years since Twilight and Robert Pattinson has since branched out into different projects.
To play the game, all you need to do is pull out your bingo card before the interview, and start ticking things off of the card as you see them happen. The first to get either a blackout or a BINGO! wins the game. Prizes for the game can range from anything from a poster of the winner’s favorite Rob Pattinson movie, or you could take a cue from Gala Bingo and give away cinema tickets to the next Rob Pattinson movie. With Rob being such a prolific actor, 3 movies already lined up for the next couple of years, we’re sure to see plenty more of him, and sure to have plenty more material for our Interview Bingo cards.
Got a nasty stress headache? Lavender oil has a very calm, soothing fragrance that makes relaxation easier.
Being a Hollywood icon or celebrity in general has got to be a stressful gig. Robert Pattinson enjoys his craft, but it’s clear he isn’t a fan of all the publicity he gets.
Acting and performing entails long hours, hard work on set, lots of interviews, dealing with fans, doing back-to-back interviews, publicity tours, dealing with huge egos, etc. It must be easy to become frazzled.
So how do Hollywood types handle the stress? Jennifer Lopez, Miley Cyrus, and others have been known to use essential oils to unwind, relax, and improve physical health. There are a ton of different essential oils—just take a look at this line of Melaleuca essential oils that can all be used for stress0reducing aromatherapy.
Other actors meditate on a daily basis to center themselves and escape from the grind. These include Russell Brand, Jennifer Aniston, Jeff Bridges, and Cameron Diaz. For Charlize Theron, Robert Downey Jr., and Emily Blunt, it’s all about Yoga. (Brand is also into Yoga.)
For young stars like Kylie Jenner, music is the preferred way to de-stress. Jenner likes to find a quiet space where she can put on the headphones and relax to the sounds of her favorite tunes.
Songwriting is what pays the bills for Taylor Swift, but she also finds it therapeutic and relaxing. A lot of celebrities are able to alleviate stress through creating art. Jim Carrey took up painting a few years ago, and has even featured his colorful work in art exhibitions.
Running is a terrific from of exercise, but it’s also a great way to clear one’s head. Will Ferrell and Reese Witherspoon have been seen pounding the pavement in their running shoes.
There are all kinds of things celebrities do to unwind and escape the grind. What are some of your favorite stress-relieving activities? Be sure to share your tips in the comments section.
Dane DeHaan (left) and Robert Pattinson star in Life. Credit: Allstar/See-Saw Films
This Christmas season, Robert Pattinson fans get to ogle over the English actor as he stars in a new feature film about iconic Hollywood star James Dean.
Only Pattinson isn’t playing James Dean. Sorry folks.
That role is being played by American actor Dane DeHaan of Chronicle and The Amazing Spider-Man 2 fame. Our beloved Robert will be playing photographer Dennis Stock, who took the famous shot of James Dean walking in the rain in New York City, cigarette in mouth, circa 1955.
The drama flick, titled Life, focuses on the friendship of the two, and it premieres on December 4 in the U.S.
And here’s another cool thing about the movie: It stars Ben Kingsley! It will be a real treat to see Ben and Robert on screen together—a Hollywood first.
This movie will feature a relationship between celebrities and media that would be inconceivable today. Part of the film entails Stock following Dean to Indiana and the farm he grew up on for an intimate photo shoot. Pattinson remarks how weird it would be today to invite a photographer back to his family’s home for some cozy photo session.
Pattinson is no stranger to the limelight, from his starring roles in the Twilight series, to his break-up with co-star Kristen Stewart, to his now engagement with FKA Twigs. However, he doesn’t welcome, embrace, or even want the attention he attracts. He prefers to be as private as he can without alienating his fan base. He accepts fame as a byproduct of his craft, but he doesn’t seek after it.
Pattinson’s down-to-earth sensibility is what attracts him to so many. It will be interesting to see how his personality shows up on the screen this December. To read more about Pattisnon’s upcoming role and the confusion he experiences from being a somewhat introverted superstar, check out the full story from The Guardian.
As long as there has been a film industry, there have been film critics. At what point in the history of Hollywood did being a film critic become a profession? That’s an interesting questions, and we think it would make a great post for a later day.
But the whole idea of movie reviews is fascinating. At some point, we decided that we wanted someone trustworthy to be a movie-watching guinea pig—or perhaps pioneer is a better word. We wanted them to watch the film first and tell us what they thought and if it was worth spending or money on to go see.
Before the age of the Internet, there were just a few trusted movie critics people listened to. Perhaps no one was more trusted than Siskel and Ebert. Now, every major and minor news outlet has at least one online entertainment reporter. Then there are blogs—like this one—where people with no formal training or credentials can say what they want.
It’s interesting to compare movie reviews to reviews in other industries. For cars, there’s all sorts of magazines and publications that break down automobiles for the consumer. You’ve got Kelley Blue Book, Car and Driver, JD Power, and many more to choose from.
Two of the best sources for reviews on just about anything are Consumer Reports and the Better Business Bureau. If you want to know the honest truth about a service or product, those are your best bets. For example, there’s a company we like that has excellent products called Melaleuca. You could take our word for it, but if you want the best Melaleuca reviews, you should read what the BBB has to say about Melaleuca.com.
If you want a good, extensive movie review, there’s always Rotten Tomatoes. If it’s an older movie, we prefer the critiques of the great Roger Ebert. In our opinion, those are the BBB and Consumer Reports of the film industry.
One thing that makes a good film critic is being able to see the film from the eyes of the everyday film goer. We appreciate a critic who doesn’t care for a film personally, but admits that families with young kids will love it.
Also, we love critics that break down the movie in context, as oppose to selling it or not. There’s a lot of bias when it comes to breaking down movies. And it makes sense: movies are meant to evoke emotion, and it’s hard not to watch a movie and feel the emotion.
At the end of the day, we are film fans, not film buffs. We admit that we aren’t schooled in the arts or qualified to teach film theory. But we do know a good review when we see one.
A Lafayette, Louisiana screening of Judd Apatow’s comedy film Trainwreck, starring Amy Schumer and Bill Hader, turned deadly when a gunman opened fire on the theatergoers.
The man stood up 20 minutes into the film and began shooting. He killed two people and wounded nine more. According to reports, the man fired a handgun, and shortly after officials arrived on the scene, he took his own life.
Some of the wounded are being listed as having life-threatening injuries and are in very critical condition.
The nightmare event has people across the country, from Lafayette all the way to Hollywood, grieving. Schumer quickly posted a tweet last night saying that her heart was broken and that her thoughts and prayers were with the people in Louisiana.
Donald Trump took time out of his presidential campaign to offer his condolences as well.
Some Hollywood celebrities, including Jenna Fischer, called for changes in gun-control policies: “Please. No more guns. Please. Churchgoers, school children, moviegoers…how many more innocent people have to die before we change?” Fischer tweeted.
The shooter, identified as 59-year-old John Russell Houser, allegedly had a restraining order placed against him in 2008 because his wife at the time was fearful of him, as was his daughter. Officials have yet to discover a motive.
The two dead are Mayci Breaux, 21, and Jillian Johnson, 33. Tweets from Hollywood expressed a desire to remember the victims, and not the shooter.
Robert Pattinson is engaged, which means he is consumed with wedding prep.(And can we just say that his fiancee, FKA twigs, has the coolest stage name ever?) And now his schedule is going to be even tighter, as he has accepted a starring role in the upcoming movie Good Time.
Good Time is an indie caper film that will be directed by the Safdie borthers, Benny and Josh. The movie follows a bank robber’s struggling attempt to evade authorities. Pattinson’s will star as the character Connie.
In addition to his role in Good Time, Pattinson is reportedly starring alongside James Franco in The Trap. Pattinson had been tabbed to star with Dakota Fanning in the soon-to-be-released thriller Brimstone. However, he was sadly replaced by Game of Thrones star Kit Harrington. Good for Kit, we say.
Back to the wedding: Pattinson and FKA twigs (aka Tahlia Debrett Barnett) got engaged earlier this year. The couple have a pretty chill relationship that isn’t plastered all over the tabloids like some. Twigs likes the quiet life, and she absolutely loathes the paparazzi, so don’t expect a big, lavish, overblown wedding of the Hollywood ilk.
There is no definite wedding date, and while it could happen this summer, Pattinson may just be too busy to make it happen the way his bride would like. Don;t be surprised if the wedding is pushed back to next year.
TIFF posted this great BTS video last year of the riot scene in Cosmopolis last year and it’s included in the David Cronenberg: Virtual Museum. We see Robert Pattinson and Samantha Morton talk about the urge to destroy and the background getting ready for battle. It’s a great look back at the making of this intellectual film.
Behind the Scenes: Cosmopolis: A Specter is Haunting the World
Much of Cosmopolis takes place in the back of Eric Packer’s (Robert Pattinson) limo, which has been cork lined—or “Prousted”—to block out the sounds of the external world. While the limo provides a very intimate setting for Eric and his occasional companions as they make their way through the streets of New York, more than 160 extras were employed as the mob of protestors running rampant outside of the car. This video takes a closer look at the sound design of this film, and the technical challenges of balancing the chaos of a crowd with the extreme quiet inside the limo.
Transcript after the cut
Transcript: Cosmopolis: A Specter is Haunting the World
NARRATOR: Stage 7, Pinewood Studios, Toronto Canada. We study one hundred and sixty background actors, assembled to play a mob of protesters, recently dubbed today as the 99%, though the filming of this scene pre-dated the Occupy Wall Street movement by four months. Their mantra is a derivation from the Communist Manifesto.
CREW MEMBER: Guys, quiet please!
WALTER GASPAROVIC: Once we’re rolling, I’m going to get you to start the chant. Just to get you going in that cadence, O.K.? When I call “Background Action,” you can keep the chant going. When I call “Rat,” you’ll start miming.
CREW MEMBER: Powdering bricks.
NARRATOR: One hundred and sixty years ago, Karl Marx wrote of a time when capitalism will have reached such a degree of expansion that society will move too fast for the people.
In Cosmopolis, Eric Packer is the 1 percent – the highest socio–economic layer, which controls the financial institutions and the corporations that shape the world.
WALTER GASPAROVIC: Background action!
CREW MEMBER: Background action!
NARRATOR: He does so from within the safety of a bullet-proof stretch limo, cork-lined to block out the fuss of social unrest outside. Such a vehicle only exists in fiction, as the modular limo set is decidedly not soundproof. The protesters become mute so as not to infringe upon the dialogue.
VIJA KINSKY: You have to understand: the more visionary the idea, the more people it leaves behind. This is what the protest is all about. Visions of technology and wealth, the force of cyber-capital that will send people to the gutter to wretch and die.
WALTER GASPAROVIC: O.K. Start rocking more violently, guys!
[CROWD ROCKING AGGRESSIVELY]
VIJA KINSKY: What would happen if they knew the head of Packer Capital was in the car?
[ROCKING NOISES IN THE BACKGROUND]
VIJA KINSKY: You know what the anarchists have always said?
ERIC PACKER: The urge to destroy is a creative urge.
VIJA KINSKY: This is also the hallmark of capitalist thought. Enforced destruction.
[CROWD ROCKING LOUDLY]
[ROCKING SOUNDS FADE AS CROWD DISPERSES]
VIJA KINSKY: Destroy the past, make the future.
CREW MEMBER: Cut.
DAVID CRONENBERG: Very good.
SAMANTHA MORTON: Yay!
CREW MEMBER: Cutting!
NARRATOR: Walla. Walla is a sound effect for the murmur of a crowd in the background. The word was created in the days of radio when they needed atmospheric background noise. It was found that if several people simply repeated, “Walla, walla, walla,” it sounded like people talking.
MICHAEL O’FARRELL: This is the important thing: “A specter is haunting the world.” Again, one person starting, the rest growing in. Keep it going for a while.
That’s like a riot crowd. That’s, like, big cheers. “Yay!!!” Let it die out.
WALTER GASPAROVIC: Yup.
[TO EXTRAS:] There’s going to be a series of things that we need, sound effects-wise. So, I’m gonna just holler out things for you to say.
[CHEERS GROW LOUDER]
WALTER GASPAROVIC: When the glass broke. When the glass broke on the car. O.K., Ready? And…
MICHAEL O’FARRELL: What’s on your signs? Your billboards?
WALTER GASPAROVIC: Let me bring some here. And then I could just put them up.
MICHAEL O’FARRELL: Sure.
WALTER GASPAROVIC: They could just look at them.
Democracy now! Democracy now!
A specter is haunting the world! A specter is haunting the world!
One of the great things about Cosmopolis is the ongoing conversation that is had. A recent blog post from Memoirs From A Culture Stalker took a look at Cosmopolis and Cronenberg’s use of bodies in the film. It’s a good read that adds more layers to a film that already unfolds like an onion.
Cosmopolis is a film about rapid, difficult conversations mostly taking place in a car. Its narrative stakes are obscure, it lacks anything like a climax, and it features some of the most soulless and alienated characters I have seen. Yet compelling direction from Canadian vet David Cronenberg and its timely indictment of our finance-driven way of life make it a bleak, deconstructive comedy worth watching.
For this post, I would like to narrow my focus to what I think is the master theme of the film: the human body. Cronenberg, who has directed such fleshly pictures as The Fly, Videodrome, Dead Ringers, and Crash (no, not that one), is obviously preoccupied with embodiment as a subject. For him, the body is a site of transformation, suffering, pleasure, and horror. But humans are not merely flesh but also psychology, and therefore a place where we can see “normative” boundaries between mind and body, inside and outside, and all sorts of others break down and blur. In Cosmopolis, Cronenberg investigates what I would call financial bodies, bodies that are abstracted, rationalized, and monetized into nonexistence or irrelevance.
We’ll be looking first at the body of our protagonist, Eric Packer (perfectly embodied by Robert Pattinson). A financial wunderkind worth tens of billions of dollars, he initiates the plot of the film by setting out across New York City in search of a haircut. This day, however, the American President is also in town, as well as a mob of anarchist protesters and a so-called “credible threat” to Packer’s life. While this is going on, he is intentionally destroying his company and personal fortune through bad currency speculation. Much of the reasoning for this remains mysterious, though hints surface here and there. The film makes much of the tedium and arduousness of his slow advance through the city in a technically advanced and closely guarded stretch limousine, outwardly identical to all the others. While Packer is able to manage all aspects of his business using his networked car and its various computer interfaces, he must bodily move from one side of the city to another to get his haircut.
Pattinson’s performance and Cronenberg’s camera are able to tell us that, whatever despicable things Packer has done, he is no less human than those protesters. Something admirable about Cosmopolis is that, while it is clearly a film critiquing the suffocating excess of wealth and its displacement and marginalization of the poor, it does not let the audience off with an easy moral or a tidy political solution. This is why, even though the dialogue in the film is abstract and didactic, the film still feels unresolved and tense throughout. It might be obvious about what it’s about, but it’s far more obtuse about what it thinks we should do about it. It’s a film that points to the smouldering wreckage of global consumer capitalism while admitting that we in the first world have our entire identity invested in it.
Cronenberg is teaming up again with Robert Pattinson, Sarah Gadon, producer Martin Katz and more to film his next movie, Maps To The Stars. Follow our blog HERE if you’d like to keep up with the news. Production begins July 8th.